TIME AND MONUMENT
ENTER (Ture Sjolander 17 September 2003  "Time" on canvas 520 x 270 cm)
Pontus Hulten Machine Art
NEWSPAPER 1966
THE DERIVATION OF ELECTRONIC VISUALIZATION
ELECTRONIC MEDIA ARTS - VISIONARY ART - ART MEDIUM

All video synthesizer's and modern software for electronic annimation and visualization is originally based on an earlier idea and innovation by Ture Sjolander and Bror Wikstrom from 1966.
" INNOVATION HISTORIQUE "
The artist Ture Sjolander 1965 (Photography by Per Bonde)
The artist Bror Wikstrom 1966 (Photography by Ture Sjolander)
From left: Boror Wikstrom and Ture Sjolander in studio making "Time" 1966.
From left: Ture Sjolander, ambassador Gunnar Hagglof and Bror Wikstrom in Paris 1970.
GALERY 2004
EXHIBITION 2004 GALLERY SVENSHOG
25 SEPTEMBER - 10 OCTOBER
LUND  -  SWEDEN
turesjolander@hotmail.com
Summary Text
ABSOLUTE MODERNISM
ACUTE INSTINCTS
BY
PIERRE RESTANY
WORLD  NEWS 2008
RESUME  CV
KONSTPERSPEKTIV MARS NR 1 2005

INTERVIEW
SWEDISH LANGUAGE

MODERNA MUSEET
2008
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"THE MACHINE"
MARCEL DUCHAMP
"MASKINEN"
1968 - 1969
MOMA
News  last  updated: March 21, 2008
Aapo Saask Sweden
                                                                         (From Wikipedia)
The history of Computer Animation and Video Art.
The Artist that invented  the Computer  Animation.
by Aapo Saask

In 1968, he created another scandal, when the film
"Monument" was televised in most European countries.
For a couple of years, Ture Sjölander was celebrated in France, Italy, Switzerland, Great Britain and the USA.
In Sweden there was a lot of jealousy. The Museum of Modern Art and the National Gallery of Sweden, to name a few, bought his works, but the techniques he worked with were expensive and after a few years, he found himself without resources. Instead he started to work with celebrities such as Charlie Chaplin and Greta Garbo. They taught him that exile - mental and physical - is the only way to escape destruction for a creative genius. He moved to Australia.
Ture Sjolander's works include photos, films, books, articles, textiles, tv-programs, video installations, happenings, sculptures and paintings - all scattered around the Globe. Tracing will be a challenging task for future detective/biographer and web-archaeologist's.
But mostly, his work consists of a life of questioning and creation. This is what set him aside as one of the great artists of the 20th century.
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Aapo Saask
Sweden
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Before Video Art in America and UK.
THE video FLAG 1964 -1966
"The Electronic FLAG"
Museum of Modern Art
Sweden 1966
The First Real and Ultimate POP ART
1960 - 1964
Prints Pop Art 1960's
FROM  POP ART  TO  VIDEO ART
Ture Sjolander 2007
The Latest View
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History of Video Art
T I M E  1966
NEWS 2007
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